Tuesday, May 1, 2012

PROCESS STATEMENT


Camille Moser
Creative Writing Hybrid Genres
May  1st 2012


I have glue all over my feet. I had a distinct vision of the direction this project was going and I can say now,  that its due today and definitely not living fully up to my expectations.  Pieces are missing, for godsakes. Big pieces, not to mention, nearly all of the artwork I had hoped to stick in here, simply didn’t happen. Or they happened and I ‘cut’ the scene I had drawn them for. I feel like I accomplished the project to the extent of what the class called for, and I definitely understood and touched on both of my genres. but the whole thing comes down to planning  ‘finished product’ that was apparently way out of my abilities to successfully produce under the circumstances  and alotted time.

I researched sketchbooks and personal memoirs so I could make (what is essentially) a big shrine to a memorable coming of age experience that happened after my freshman year of college. I wanted to make a quirky, personal story that tied together the visual elements of sketchbooks with the personal elements of memoirs. I wanted it to be informal and largely based on a journal I kept during my  time that summer.
            Eventually I started to grapple with the coherency of the journal. It was a disjointed cluster of personal musings it didn’t have a followable plot. And whether or not I liked it, I had a third genre to deal with: the english class. And that audience sortof needed a plot to follow. So I ultimately took out the journal entirely and wrote the story, according to the plotlines I wanted to focus on in the story.  As I was writing this, it started to get out of hand. And I knew I had to cut out a lot of pieces that were not contributing to the story as much as others. It became seriously paired down, but I could see the story clearer and it was STILL beyond overwhelming to write the thing. I didn’t even write the end. I am appalled. The end is crucial.

Things got nuts because I wanted my story part to be hand written and pasted in my book. So I rewrote everything in nice (er) handwriting on the same kind of paper for the book. This took an obscene amount of time. We’re talking 8:00 am to 5:00 pm straight through no breaks (except for bathroom & coffee) and that was only one small part of the story. Absolute tortuous carpal-tunnel inducing activities that I forced myself to complete. Its not really complete, like I said, theres 1 hole and a missing ending.

Overall, it was extremely flawed, but I was happy with the story, for what it was. Its more coherent than it was and I got the opportunity to exercise my creative writing abilities, which was nice and kindof fun at parts. Especially since I was trying to 1.) pull from a really fuzzy, pieced together memory, and 2.) I was trying to do in a style that had feeling and a sense of creative writing as well as make it my style and humorous. Such a challenge and despite my hinderances in the vocabulary department, I thought I achieved what I was going for pretty well.
The art was a different story. That was one of those things, I learned (sort of not until the end) that needs to be saved for last. Words first, pictures later. And because my words took so long, my pictures don’t really make sense  and are, to say the least, incomplete.

It was all very time consuming elements coming together to make this happen. And ‘this’ was way out of my grasp of achievement abilities when I had so many other things to focus on. It was hard cause this was my baby, and I wanted to do it right. And in the end, on the due day, I am covered in glue, no sleep, and not even packing a product I had set out to complete.  I completed the requirements for class but not the requirements for me.

Oh! One  last thing, you know how there is always that unexpected obstacle that rears its ugly head in a project? Well mine was the glue. It was around 1 in the morning and I had used up all my gluesticks! I never thought I would run out, but there I was, on the floor, sitting in a sea of used up gluesticks. And I was barely half way through! So I went through a serious of other adhesive products, the worst being the tacky glue, which I had tons of, but no control over. It slowed my progress down significantly and I have tacky glue on almost all regions of my body. I have tacky glue on my pillow. That is not cool. But yea things were going lovely until the glue dillemma came up, but hey, if it wasn’t the glue it would’ve been something else.

Despite my personal issues with organization and planning and such, I loved doing this project because it gave me the opportunity to focus on something I was (patheticly) obsessed with.  And during the process of tapping into all those memories, I picked up a lot of things about me and others that I hadnt noticed before, and that was kind of neat in itself. And it gave me freedom. I rarely, rarely get any freedom to be creative my way, and it was a nice outlet to use all that pent up creative energy I have floating around these days. 

Tuesday, April 3, 2012

my project: sketchbook aspects

my project (the one i am collecting all this research for) is a mixup of two genres: sketchbooks and personal memoirs. the general premise of my mix is to have a visually entertaining personal account of my travels/and adventures the summer following my freshman year at college. 

i added the visual element of sketchbooks to enhance the storytelling experience, to move the story along and provide quirky comedic elements (especially helpful when the writing parts get dry). i feel like there is also the aspect of the narrator (me) being an artist so it is only appropriate for me to add an illustrative component to describe a colorful event. 

this is "illustrated" through:

-cartoon sketches
-landscape studies (informal)
-diagrams
-abstract doodles 
-collage 


Saturday, March 24, 2012

more inspiration!

http://www.stumbleupon.com/su/2vPlpq/fiveprime.org/hivemind/Tags/art,moleskine/
love the variety in the sketchbook art on this site, it gives good examples of representational studies, abstract, surreal, and humorous takes in sketchbook doodling.

Wednesday, March 21, 2012

getting past the blank

sometimes, like now, i neglect my sketchbook. i am the kind of person that never neglects my documentation missions. i've been journaling for 8 years now and i've kept a sketchbook for 4 or 5.

but we all hit our dry spots. it might be the anxiety or the non-stop work or being burnt out, the life crisis, the depression, or spending too much time eating, but i just can't fit in a good sketchbook (or journal) session.

IF it is high enough on the priority list, i would advise checking out this blog: http://www.stumbleupon.com/su/5mGHu6/anidea.com/creative/dust-off-that-sketchbook/
to spice up your sketchbook and get those creative juices flowing again.

that is an awful phrase that i can't seem to shake.

audience! (forgot to publish this last week!)

audience is a flexible concept when it comes to sketchbooks...since most of my research has been online, the majority of the sketchbooks i've viewed so far have been publicized, that said, i think that they are, generally, a more private genre of art.

most sketchbooks are intended to be a private collection of an artists visual musings and plans for future works of art. (by private i don't mean so much secret diary private but more along the lines of 'just not publicized' private) ... personal. all the fine artists sketchbooks contained experimentation and layouts for works in progress. an informal compilation of progress that isn't intended for anyone but the artist to refer back on. for instance, most fine artists sketchbooks don't reach the public's eye until they are dead, and even then you have to be pretty damn famous for your work to warrant attention. 

recently, with the internet, everyone's sketchbooks are going viral, which takes a lot of the 'personal' element away from things. as much as i see the element of privacy as important, i believe that the publicity is  allowing this genre to 'take off' as an art form. there are countless blogs and websites devoted to sketchbook art, i havent had any remote issues at all finding sketchbook material on the web. they are everywhere.

why, exactly do i find this art form so appealing, so inspiring? (i asked myself this as i was drooling over this blog: http://www.stumbleupon.com/su/1VZYMr/designinstruct.com/visual-inspiration/sketchbook-secrets-50-beautiful-sketchbook-scans/ )

and i think it is the variety. it is that magical combination of fun, loose, experimental style and materials, any subject matter, no-rules, un-art-kind-of-art stuff. seriously, i would get bored with anything else.


BASICS OVERVIEW

FORM



MOST IMPORTANTLY…you need a BOOK.
sketchbooks are typically BLANK (no extraneous details to interfear with your beauteous creations)
Spiral-bound, hardback covers, one of those ‘moleskine’ thangs, whatever strikes your fancy and inspires you to get those creative juices flowing!
Usually PORTABLE.
Same goes for materials, pen, pencil, watercolors, mostly things that won’t trash your purse while you’re sketching on the run. 

CONTENT

Personal
Creative/Artistic exploration
Sketches (OBVIOUSLY),
doodles
cartoons
collage
found objects
paint (watercolor usually),
Observational drawings
Experimentational work
Informal
You can get all up in other
people’s content on websites like:
Artist’s sketchbooks online

The key compontent to sketchbooking:
 YOU CAN DO WHATEVER THE HELL YOU WANT IN THERE.

AUDIENCE
Yourself.  (artistic reflection)
future generations of art appreciators
*IF you’re inspiring/actually have artistic talent
The world wide web if your sketchbook goes viral 









Monday, February 27, 2012

content

this blog is badass.

urban sketchers blog

                                             this is what caught my eye on there...what skills...

it shows a lovely account of some serious modern artists creating a creative visual account of those sweet urban vistas.


so anyways, i will be sharing my generalization-laden take on what the  content of sketchbooks, or at least what i've gathered so far. the best part of this is that sketchbooking is such a FREE art form that 'generalizing' is unavoidable.

-content involves representational or abstracted studies
-common materials include pen, pencil, and watercolor
-collage
-dates and locations
-landscapes, still-lifes, doodles, caricatures.
-text

i need to vastly elaborate when i am not so brain-dead.




academic travel sketchbook

one of the links i had posted earlier led me on a little research trail on joseph mallord william turner, the late 18th, early 19th landscape painter who worked in sketchbooks his whole life. these are documented in this very hard-to-navigate website where you can browse through his sketches: turner sketchbooks.

the website had great potential but it was frustratingly difficult to go from one page to the next. too much clicking.

but from what i gathered, Turner's sketchbook activity seemed to be hanging around the academic realm of things. he had sketches from events he witnessed and places he traveled to as well as preliminary sketches for future works of art. the kind of serious sketchbook your professor wants you to keep in an academic drawing or painting class. strictly business.

this is also a good example of a "travel sketchbook" where foreign vistas are documented through quick sketches. pre-camera.

Thursday, February 23, 2012

hit the jackpot: massive sketchbook collection online

there are so many sketchbooks to browse online these days! this is so inspiring, i wish there was a magazine like that that just showed images from people's sketchbooks.

artist's sketchbooks

i am going to look at fine artists sketchbooks and hipster sketchbooks. i can only come up with two categories at the moment. give me time. more research and i'll revise that.


Thursday, February 16, 2012

how it all started....A.K.A. my sketchbook 'awakening'

coming from a family of artists, the idea of keeping a sketchbook was suggested to me from a very young age, but sadly, i wasn't able to bring myself to commit to anything cover to cover until it was posed as a school assignment. (hey, you know, sometimes you need a little bit of academic pressure to get things done!) so, in my sophomore year of high school, i was given a sketchbook in my art class to fill cover to cover during the semester. the key success here was the informality. my instructors presented the project informally and gave us very few guidelines to leave room for freedom of creativity.  that, in my opinion, was the most important part, since

SKETCHBOOKS ARE THE PRIME FRONTIER FOR EXPERIMENTATION.

this came to me as i was browsing over this article (the sketchbook-the creative diary) that gives a brief overview on the art of keeping a sketchbook. i jotted down a quick list of the 'pros' of sketchbooking and how they were applicable to my experience. most importantly, i noted the informality of a sketchbook, which takes off the pressure of 'having to create a work of art' and makes room for experimenting on a small scale. sketching, watercolor, writing, collage, photos, found objects, etc. i got so hooked on that sketchbook project, i've been keeping one ever since.

Here is my CURRENT sketchbook.



Here are some excerpts out of my current sketchbook, we're talking cartoons, fashion sketches, studies, quotes, and found objects.










Thursday, February 9, 2012

clean&fun

i landed upon this extensive collection of sketchbook illustrations by the artist Irina Vinnik while using stumbleupon a while ago. they were featured on the Behance Network webpage, here is a link: Irina Vinnik on Behance Network. i was drawn to her work for its intense detail, i was struck by how insanely clean they are while still seeming spontaneous and fun. this is especially impressive when the majority of my sketchbook pages have coffee stains on them! 

Thursday, February 2, 2012

last year's inspiring sketchbook discovery

Last spring i found this website: travelingjournal while on stumble-upon, and was so intrigued by the idea of a collaborative traveling art piece. i liked that this combined a wide range of artistic styles and mediums, which in my opinion, are crucial to visually-appealing, dynamic sketchbooks!

Wednesday, February 1, 2012

GREETINGS!

Welcome to my sketchbook research blog, where i will be documenting my journey into the world of sketch-booking activity!

on this blog, i will be posting links, photos and information i find during this semester of sketchbook-genre research!

like all my other research projects, my first stop is good old trustee (?) Wikipedia!Wikisketchbook